A New Begining

Time lapse of 32 square feet of my studio wall becoming a very large drawing.

Yesterday I posted about Paul Klee and how preparing the canvas inspired his vision of What the Drawing Wants to Be. Today I’m putting his words into action and starting a new drawing. It’s eight feet wide and four feet tall and takes up an entire wall of my studio. It’s the first in a series of four drawings I plan to make focusing on our climate catastrophe while at the same time seeking joy in our connection to nature. Because I use a method of tiny hatch marks in my drawing, and this one is my largest yet, it will have over a million lines in it when I’m done.

The sequence of photos shows how I put up two rails to hold my 4’x8’ piece of Gatorfoam board, then mounted the board. Next I’ll apply the beautiful Japanese kinwashi paper that I wrote about in an earlier post. Then it will be time to draw. Drawing the first line is quite a ritual when you know you have over a million to go.

George Elvin

I'm a professor of architecture at North Carolina State University, where my teaching and research focus on learning from nature about how plants and animals adapt to extreme environments and then applying those lessons to resilient building design.

http://www.georgelvin.com
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Teaching Resilience and Regeneration

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What the Drawing Wants to Be